CC Clarke is a maker of many talents. As well as being named the Most Influential beauty influencer by The Sunday Times, her debut pop anthem ‘A Little More’ made it into the Top 15 in the iTunes Chart and she has organically garnered over 2M followers on Instagram.

Her last single ‘Not Playing’ reached the iTunes chart and those pop, r&b and soul influences are obvious when you listen to her music, inspired by her mothers love of these genres. CC’s sound is uplifting and empowering, speaking to a youthful audience who look to her for youthful guidance and electronic-pop anthems that continue to uplift.

Jonny Ong is a singer/songwriter and multi-instrumentalist from the island country of Singapore, who was inspired by a busker in Amsterdam to pick up the Handpan. Incorporating
this unusual instrument into his songs, Ong creates a wholly original sound which draws from multiple different cultures and countries, resulting in art which is entirely universal.

Working closely with famed Juno nominated producer Gus van Go (Metric, The Stills, Whitehorse, Arkells, The Trews, Sam Roberts) on this new collection of songs has pushed Roper into creating some of his best work. “Recording with Gus and Werner F was on a whole new level. They really cared where the songs were headed and that they ended up just right”, Roper confides. “Everything was broken down to the finest details and nothing was allowed to sit at just ‘ok’. It was all about getting the vibe right.” And the vibe is certainly right. There’s a depth, a vulnerability, to this new body of work that hasn’t necessarily been at the forefront of Roper’s previous offerings. With a richer infusion of vintage rhythm and blues as background, Roper’s unique, soulful vocals are given space to soar. Like contemporaries Nathaniel Rateliff and Jack White, Roper tells his story with heart. The new single ‘Hold On Me’ exemplifies Roper’s ability to meld modern songwriting with vintage-inspired production – the result is a fast-paced boot stomper that brings to mind sun-baked, dusty roads and hot, sticky nights in crowded bars. “I wrote ‘Hold On Me’ because my manager asked me politely to try and write a hit. I don’t know what makes a hit and I’ve never written one but I thought I’d try and oblige him. I came up with the chorus while I was standing outside watering my garden. I just blurted it out and as I was singing, my roommate drove by me and shouted, ‘Atta boy, Ropes! Sounds great!’. I decided this would be the first building block for the song.” Buoyed by an all-star band including drummer Josh Dion (John Scofield, Paris Monster), saxophonist Tony Jarvis (Sharon Jones & The Dap Kings, Charles Bradley, Phish), and bass by van Go, “Hold On Me” marks a new chapter in Roper’s musical journey

Flight Attendant belongs to that breed of rock bands made in Nashville, where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own.

Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to No Doubt and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder [UK]

Kent-raised Apostol acknowledges how impactful his self-discovery music is when it comes to expressing his artistry through his music. His musical inspirations consist of Amy Winehouse, Marvin Gaye, Aretha Franklin , Whitney Houston, Ms. Lauryn Hill, Alabama Shakes, Smokey Robinson, Donny Hathaway and many more. Enjoying the music from these legendary artists naturally served its purpose as a learning method that led Apostol to find his own voice and unlatch his own unique approach of story-telling about empowerment, encouragement and honest real-life experiences. Filipino-born British singer-songwriter Apostol’s development and growth as an artist will soon unravel in his promising upcoming debut EP Satori.

The 22-year-old Brixton-born, Oxford-raised artist

remains authentic and maintains admirable stamina in

peeling off layers with each single. Inspired by the likes of

other R&B female slayers such as Kehlani, BANKS,

Sevdaliza, and Sabrina Claudio, Jazmine Flowers is

becoming a unique addition to the growing UK R&B

scene.

Last year’s ‘Adulting’ EP release was the first taste of the

one-to-watch talented songstress’ conceptual soundtrack

for growing up and naivety. ‘Adulting’ featured Flowers’

debut single ‘Awkward,’ as well as other eclectic and

thought-provoking tracks like ‘This Isn’t Happiness’ and

‘not my friends,’ which Jazmine Flowers has written and

produced herself.

Led by South Africa-born Jean-Philip Grobler and Germany-born Patti Beranek, St. Lucia has stayed faithful to what they’re best at: putting on incredible live shows everywhere from Coachella to Kansas City, producing shimmery synth-driven pop grooves, and having a good time doing what they love. St. Lucia has always stirred good vibes. It started with their debut album, When The Night, which entered the Billboard Top 200 and hit #6 on Billboard’s Heatseekers Album chart. The follow-up album, Matter, yielded the hit “Dancing On Glass,” while the band collaborated with Jack Antonoff, RAC and others. Two years later, Hyperion represented a creative and critical high watermark with praise from Billboard, who hailed the album as “buoyant,” and PopMatters who raved, “it feels revelatory.”

Throughout 2020, they wrote and recorded what would become Utopia in Patti’s hometown of Konstanz, Germany and Upstate New York. Following the birth of their youngest son Charlie, Jean-Philip’s self-imposed social media exile, and a return to “normalcy” in the world at large, they shared six tracks as Utopia I in April 2022. “Rocket On My Feet” eclipsed 1 million total streams as the project earned critical praise from Riff Magazine, Under The Radar, and more. Variance hailed it as “a wealth of electropop goodness in the middle of a world on fire.”

In its entirety, the forthcoming LP only expands this vision, hinging on the parity at the heart of the band’s signature style. Synths pulsate like strobe lights as euphoria rains down from a skyscraping singalong. The guitar strings shake and shudder akin to bodies on the dancefloor bathed in fluorescence. Freedom courses through every physical and emotional movement as you depart this dimension only to land on St. Lucia’s Utopia. The group’s fourth full-length album unlocks this plane via eloquent and elegant electro-pop projected in cinematic proportions like your favorite fantasy fever dream on the big screen. As the unadulterated and unfiltered vision of Jean-Philip Grobler and Patti Beranek, these 13 tracks engage escape in its purest form.

Rare Americans are the real deal. The genre-bending Vancouver punks have already built a passionate fanbase with their all-in-it melodicism and inventive storytelling. Their music and messages cement them as a force to be reckoned with. Bandleader, James Priestner, and his gang have levelled up their sound by drawing across a myriad of genres while keeping true to what makes them unique: Telling crooked and catchy stories.

Since their debut in 2018, the band has amassed over 150M global streams, 500k social media followers, a 2020 Juno for their song “Brittle Bones Nicky”, a song featured in Warner’s Scoob! The Movie soundtrack, and a spot on the Billboard Top 100 album charts for their album RA2.This is an invitation to walk into RA’s world of colourful characters and stories— So what are you waiting for?

Rare Americans began its journey while James and his older brother of 11 years Jared, a co-writer but not performing member in the band, were on a vacation together in the Caribbean. James recalls jokingly saying to Jared, “We should write some songs together,” to which Jared responded, “Fuck that, what about an entire album?” A week and a half later, the two of them had created 15 songs in what would later become their eponymously-titled debut album. Since then, Rare Americans have rounded out the crew with the addition of Slovak guitarists Lubo Ivan and Jan Cajka, and drummer Duran Ritz. They’ve racked up over half a million monthly listeners on Spotify in the process.

Rare Americans are telling their stories directly to anyone who wants — or needs — to listen. These tales are easy to relate to for anyone who’s been down or has struggled to keep up, yet are also laced with devilish optimism and hope. “We’re trying to inspire and empower our fans,” Priestner states while discussing the band’s mission. “We’re an independent band, the underdogs, and I think a lot of our fans relate to that.”

Multi-platinum, ARIA award nominated Bombs Away are back with another banger for the summer with “Around the World”. The new single is a reimagined take on the iconic track from dance music pioneers Daft Punk, with Bombs Away adding new verses and slick electro house grooves to create a new mix unlike anything before. Bombs Away, run by Australian DJ Tommy Shades, is well known for his inventive remix and mash-up abilities as a producer, and those skills are on full display with “Around the World”. Building upon one of the most well-known hooks in dance music, Bombs Away pays proper homage to the track and brings it to today’s dance-floors with a massive sound.

MARZFAY IS THE NEXT BIG MUSICIAN TO COME STRAIGHT OUT OF SOUTH LONDON,CREATING A NEWWAVE THROUGH MIXING HIP HOP, INDIE, POP AND ROCK.WITH A STRONG SENSE OF WHO IS SHE IS AS AN LGBTARTIST THAT TALKS OPENLY ON LOVE, PAIN & YOUTH – SHE HAS ACCUMALATED OVER 35K+ STREAMS ON HER DEBUT EP AND CONTINUES TO WORK WITH INDUSTRY PROFESSIONAL ENGINEERS AND PRODUCERS, SUCH AS MATT SCHWARTZ AND SCRATCH.

HER ABILITY TO WEAVE POETIC LYRICS THROUGH MELODIC BEATS HAS PLACED HER AS AHEADLINERAT VENUES SUCH AS, RICH MIX (SHOREDITCH), BOXPARK AND THE NATIONAL THEATRE STAGE. AS A FAN OF MARZ’ PUT IT: “SHE IS DIFFERENT, I’VE NEVER HEARD SOMEONE DO THIS BEFORE- AND HER ABILITY TO CAPTIVATE ANDENTERTAINAN AUDIENCE IS CRAZY.”